Publication
Allan Kaprow: A Bibliography
Kaprow conceived his “Activity Booklets” as instruction manuals, instruments for understanding and experiencing the event through which the artist expressed himself.
Allan Kaprow: A Bibliography
Kaprow conceived his “Activity Booklets” as instruction manuals, instruments for understanding and experiencing the event through which the artist expressed himself.
Manifesta Journal Series 3
Manifesta Journal is pleased to announce the launch of its third series. MJ #13 “Fungus in the Contemporary” is ONLINE NOW.
Manifesta Journal Series 3
Manifesta Journal is pleased to announce the launch of its third series. MJ #13 “Fungus in the Contemporary” is ONLINE NOW.
Fillip #15: Apparatus, Capture, Trace
Fillip #15 initiates a new, ongoing series of texts entitled Apparatus, Capture, Trace examining the links between biopolitics and photography.
Fillip #15: Apparatus, Capture, Trace
Fillip #15 initiates a new, ongoing series of texts entitled Apparatus, Capture, Trace examining the links between biopolitics and photography.
Open 22. On Transparency, Publicity and Secrecy in the Age of WikiLeaks
Taking WikiLeaks as an illustrative example, Open 22 investigates how transparency and secrecy relate to one another, to the public and to publicity in our computerized visual cultures.
Open 22. On Transparency, Publicity and Secrecy in the Age of WikiLeaks
Taking WikiLeaks as an illustrative example, Open 22 investigates how transparency and secrecy relate to one another, to the public and to publicity in our computerized visual cultures.
Cabinet 43 . Forensics
Cabinet magazine issue 43, with a special section on “Forensics” edited in collaboration with Eyal Weizman, available now.
Cabinet 43 . Forensics
Cabinet magazine issue 43, with a special section on “Forensics” edited in collaboration with Eyal Weizman, available now.
Libre Graphics Research Unit
The Libre Graphics Research Unit is a traveling lab where new ideas for creative tools are developed. Its diverse activities range from the practical to the theoretical via writing, research meetings, experimental prototyping, conferences and workshops. The Research Unit is
Libre Graphics Research Unit
The Libre Graphics Research Unit is a traveling lab where new ideas for creative tools are developed. Its diverse activities range from the practical to the theoretical via writing, research meetings, experimental prototyping, conferences and workshops. The Research Unit is
The Serving Library
The Serving Library is a long-term project conceived by Dexter Sinister with writer Angie Keefer.
The Serving Library
The Serving Library is a long-term project conceived by Dexter Sinister with writer Angie Keefer.
The Surplus Library on Affect & Economic Exchange
The Surplus Library‘s collection consists of books relevant to the topic of affect and economic exchange. The project functions as an idiosyncratic register of literature on this specific topic, while concurrently embodying the subject of its holdings: quasi-economic, non-monetary exchanges
The Surplus Library on Affect & Economic Exchange
The Surplus Library‘s collection consists of books relevant to the topic of affect and economic exchange. The project functions as an idiosyncratic register of literature on this specific topic, while concurrently embodying the subject of its holdings: quasi-economic, non-monetary exchanges
Manifesta Journal n.12 – Ethics
“The true art of a curator is an art of compromise.” No doubt Pierre Restany’s bon mot reflects the reality of curatorial practice. Curators are dealing with different and often alien interests—political, economic and social. In realizing their oeuvre, they
Manifesta Journal n.12 – Ethics
“The true art of a curator is an art of compromise.” No doubt Pierre Restany’s bon mot reflects the reality of curatorial practice. Curators are dealing with different and often alien interests—political, economic and social. In realizing their oeuvre, they
Thing/Thought: FLUXUS Editions, 1962–1978
Fluxshop inventory with Dorothea Meijer, seated, in the home of the artist, Amsterdam, winter 1964—65.Photographed by Wim van der Linden. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. Photo: Wim van der Linden/MAI. From the outset of Fluxus during
Thing/Thought: FLUXUS Editions, 1962–1978
Fluxshop inventory with Dorothea Meijer, seated, in the home of the artist, Amsterdam, winter 1964—65.Photographed by Wim van der Linden. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. Photo: Wim van der Linden/MAI. From the outset of Fluxus during
Archizines exhibition
Image: Sue Barr From photo-copied and print-on-demand newsletters such as Another Pamphlet, Scapegoat and Preston is My Paris, to magazines such as Mark, Spam and PIN-UP – ARCHIZINES celebrates and promotes the recent resurgence of alternative and independent architectural publishing
Archizines exhibition
Image: Sue Barr From photo-copied and print-on-demand newsletters such as Another Pamphlet, Scapegoat and Preston is My Paris, to magazines such as Mark, Spam and PIN-UP – ARCHIZINES celebrates and promotes the recent resurgence of alternative and independent architectural publishing
Generous Structures . Casco Issues
The twelfth edition of Casco Issues, ’Generous Structures’, focuses on “playfulness” as a value in critical cultural practice. As a playful inquiry, it positions alternative notions of playing against the grain of neoliberal ideologies of “lifelong learning” and “work as
Generous Structures . Casco Issues
The twelfth edition of Casco Issues, ’Generous Structures’, focuses on “playfulness” as a value in critical cultural practice. As a playful inquiry, it positions alternative notions of playing against the grain of neoliberal ideologies of “lifelong learning” and “work as