Blog
The Grand Domestic Revolution . User’s Manual
‘The Grand Domestic Revolution – User’s Manual’ (GDR) is a project that question and challenge the notion of social design, focusing on the question of what difference a changed domestic sphere could bring to towns, cities and society at large today.
The Grand Domestic Revolution . User’s Manual
‘The Grand Domestic Revolution – User’s Manual’ (GDR) is a project that question and challenge the notion of social design, focusing on the question of what difference a changed domestic sphere could bring to towns, cities and society at large today.
The Experience of Defeat . a lecture by T.J. Clark
The Office for Contemporary Art (OCA), as commisioner of Norwayʼs representation at the 54th Biennale di Venezia, would like to announce ‘The Experience of Defeat’, a lecture by art historian T.J. Clark as part of ‘The State of Things’. Following
The Experience of Defeat . a lecture by T.J. Clark
The Office for Contemporary Art (OCA), as commisioner of Norwayʼs representation at the 54th Biennale di Venezia, would like to announce ‘The Experience of Defeat’, a lecture by art historian T.J. Clark as part of ‘The State of Things’. Following
¿CON QUÉ CARA? open call . Museo de la Solidaridad Salvador Allende
El Museo de la Solidaridad Salvador Allende (MSSA) abre la presente convocatoria de Concurso de proyectos de exposición ¿CON QUÉ CARA? 2012, con el fin de seleccionar 6 exposiciones para su nuevo “Project Room”, garantizando este espacio como un punto
¿CON QUÉ CARA? open call . Museo de la Solidaridad Salvador Allende
El Museo de la Solidaridad Salvador Allende (MSSA) abre la presente convocatoria de Concurso de proyectos de exposición ¿CON QUÉ CARA? 2012, con el fin de seleccionar 6 exposiciones para su nuevo “Project Room”, garantizando este espacio como un punto
The Critical Edge of Curating
Curators and artists from around the world discuss critical issues in their practice today, examining the possible impact of exhibitions and related curatorial activities on cultural and social change. Key questions will be addressed as points of departure for a
The Critical Edge of Curating
Curators and artists from around the world discuss critical issues in their practice today, examining the possible impact of exhibitions and related curatorial activities on cultural and social change. Key questions will be addressed as points of departure for a
Arquivo Banana 2011
© Photo: Haupt & Binder Leandro Nerefuh, Performance, 30′ 17th Video Brasil Festival - SESC - São Paulo, 2011.
Arquivo Banana 2011
© Photo: Haupt & Binder Leandro Nerefuh, Performance, 30′ 17th Video Brasil Festival - SESC - São Paulo, 2011.
Forensic Aesthetics Conference
While legal and cultural scholars have labeled the third part of the twentieth century—with its particular attention to testimony—as the “era of the witness,” the emergence of forensics in legal forums and popular entertainment signifies a new attention to the
Forensic Aesthetics Conference
While legal and cultural scholars have labeled the third part of the twentieth century—with its particular attention to testimony—as the “era of the witness,” the emergence of forensics in legal forums and popular entertainment signifies a new attention to the
The Surplus Library on Affect & Economic Exchange
The Surplus Library‘s collection consists of books relevant to the topic of affect and economic exchange. The project functions as an idiosyncratic register of literature on this specific topic, while concurrently embodying the subject of its holdings: quasi-economic, non-monetary exchanges
The Surplus Library on Affect & Economic Exchange
The Surplus Library‘s collection consists of books relevant to the topic of affect and economic exchange. The project functions as an idiosyncratic register of literature on this specific topic, while concurrently embodying the subject of its holdings: quasi-economic, non-monetary exchanges
Manifesta Journal n.12 – Ethics
“The true art of a curator is an art of compromise.” No doubt Pierre Restany’s bon mot reflects the reality of curatorial practice. Curators are dealing with different and often alien interests—political, economic and social. In realizing their oeuvre, they
Manifesta Journal n.12 – Ethics
“The true art of a curator is an art of compromise.” No doubt Pierre Restany’s bon mot reflects the reality of curatorial practice. Curators are dealing with different and often alien interests—political, economic and social. In realizing their oeuvre, they
Brasilia, Contradictions of a New City, 1967
Brasilia, Contradictions of a New City. Dir. Joaquim Pedro de Andrade, 1967 Shot seven years after the construction of Brazil’s Capital, the film was already denouncing social injustice.
Brasilia, Contradictions of a New City, 1967
Brasilia, Contradictions of a New City. Dir. Joaquim Pedro de Andrade, 1967 Shot seven years after the construction of Brazil’s Capital, the film was already denouncing social injustice.
Thing/Thought: FLUXUS Editions, 1962–1978
Fluxshop inventory with Dorothea Meijer, seated, in the home of the artist, Amsterdam, winter 1964—65.Photographed by Wim van der Linden. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. Photo: Wim van der Linden/MAI. From the outset of Fluxus during
Thing/Thought: FLUXUS Editions, 1962–1978
Fluxshop inventory with Dorothea Meijer, seated, in the home of the artist, Amsterdam, winter 1964—65.Photographed by Wim van der Linden. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. Photo: Wim van der Linden/MAI. From the outset of Fluxus during
Museum Show
Image above: Collection Belvedere, Vienna, Courtesy Belvedere, Vienna; Gabriele Senn Gallery, Vienna, and the artist.Photograph Copyright: Marko Lulic. One of the most curious tendencies in modern and contemporary art has been that of museums created by artists. Museum Show is a historical
Museum Show
Image above: Collection Belvedere, Vienna, Courtesy Belvedere, Vienna; Gabriele Senn Gallery, Vienna, and the artist.Photograph Copyright: Marko Lulic. One of the most curious tendencies in modern and contemporary art has been that of museums created by artists. Museum Show is a historical
Museum of Museum
Marcel Duchamp, La boîte-en-valise, 1936/1968 MoM desires to establish an inquiry related to the white cube, with its use, challenged by artists and curators, as well as educational thinking about the museum system and how it is approached by viewers uninitiated to contemporary art.
Museum of Museum
Marcel Duchamp, La boîte-en-valise, 1936/1968 MoM desires to establish an inquiry related to the white cube, with its use, challenged by artists and curators, as well as educational thinking about the museum system and how it is approached by viewers uninitiated to contemporary art.