Curatorial
La Triennale 2012
Through the concept of “Intense Proximity”, La Triennale will investigate what it means to be active as an artist working today, in the context of a globalized and diverse French art scene.
La Triennale 2012
Through the concept of “Intense Proximity”, La Triennale will investigate what it means to be active as an artist working today, in the context of a globalized and diverse French art scene.
Libre Graphics Research Unit
The Libre Graphics Research Unit is a traveling lab where new ideas for creative tools are developed. Its diverse activities range from the practical to the theoretical via writing, research meetings, experimental prototyping, conferences and workshops. The Research Unit is
Libre Graphics Research Unit
The Libre Graphics Research Unit is a traveling lab where new ideas for creative tools are developed. Its diverse activities range from the practical to the theoretical via writing, research meetings, experimental prototyping, conferences and workshops. The Research Unit is
¿CON QUÉ CARA? open call . Museo de la Solidaridad Salvador Allende
El Museo de la Solidaridad Salvador Allende (MSSA) abre la presente convocatoria de Concurso de proyectos de exposición ¿CON QUÉ CARA? 2012, con el fin de seleccionar 6 exposiciones para su nuevo “Project Room”, garantizando este espacio como un punto
¿CON QUÉ CARA? open call . Museo de la Solidaridad Salvador Allende
El Museo de la Solidaridad Salvador Allende (MSSA) abre la presente convocatoria de Concurso de proyectos de exposición ¿CON QUÉ CARA? 2012, con el fin de seleccionar 6 exposiciones para su nuevo “Project Room”, garantizando este espacio como un punto
The Critical Edge of Curating
Curators and artists from around the world discuss critical issues in their practice today, examining the possible impact of exhibitions and related curatorial activities on cultural and social change. Key questions will be addressed as points of departure for a
The Critical Edge of Curating
Curators and artists from around the world discuss critical issues in their practice today, examining the possible impact of exhibitions and related curatorial activities on cultural and social change. Key questions will be addressed as points of departure for a
The Surplus Library on Affect & Economic Exchange
The Surplus Library‘s collection consists of books relevant to the topic of affect and economic exchange. The project functions as an idiosyncratic register of literature on this specific topic, while concurrently embodying the subject of its holdings: quasi-economic, non-monetary exchanges
The Surplus Library on Affect & Economic Exchange
The Surplus Library‘s collection consists of books relevant to the topic of affect and economic exchange. The project functions as an idiosyncratic register of literature on this specific topic, while concurrently embodying the subject of its holdings: quasi-economic, non-monetary exchanges
Manifesta Journal n.12 – Ethics
“The true art of a curator is an art of compromise.” No doubt Pierre Restany’s bon mot reflects the reality of curatorial practice. Curators are dealing with different and often alien interests—political, economic and social. In realizing their oeuvre, they
Manifesta Journal n.12 – Ethics
“The true art of a curator is an art of compromise.” No doubt Pierre Restany’s bon mot reflects the reality of curatorial practice. Curators are dealing with different and often alien interests—political, economic and social. In realizing their oeuvre, they
Museum Show
Image above: Collection Belvedere, Vienna, Courtesy Belvedere, Vienna; Gabriele Senn Gallery, Vienna, and the artist.Photograph Copyright: Marko Lulic. One of the most curious tendencies in modern and contemporary art has been that of museums created by artists. Museum Show is a historical
Museum Show
Image above: Collection Belvedere, Vienna, Courtesy Belvedere, Vienna; Gabriele Senn Gallery, Vienna, and the artist.Photograph Copyright: Marko Lulic. One of the most curious tendencies in modern and contemporary art has been that of museums created by artists. Museum Show is a historical
Time travels and the (de) construction of contemporary myths
by Lorena Muñoz-Alonso, first published at selfselector. Throughout this itinerary, I would like to navigate through the HAMACA catalogue in search of traces or residues from other times and voices. I am looking to identify the little or great homages that artists make
Time travels and the (de) construction of contemporary myths
by Lorena Muñoz-Alonso, first published at selfselector. Throughout this itinerary, I would like to navigate through the HAMACA catalogue in search of traces or residues from other times and voices. I am looking to identify the little or great homages that artists make
Generous Structures . Casco Issues
The twelfth edition of Casco Issues, ’Generous Structures’, focuses on “playfulness” as a value in critical cultural practice. As a playful inquiry, it positions alternative notions of playing against the grain of neoliberal ideologies of “lifelong learning” and “work as
Generous Structures . Casco Issues
The twelfth edition of Casco Issues, ’Generous Structures’, focuses on “playfulness” as a value in critical cultural practice. As a playful inquiry, it positions alternative notions of playing against the grain of neoliberal ideologies of “lifelong learning” and “work as
VLA Art & Law Residency Program
Deadline October 17 The Art & Law Residency provides an intellectual and artistic setting for participants to engage in ongoing discussions and debates that examine the overlap and disconnect between artistic production and the law from historical, social, ethical and
VLA Art & Law Residency Program
Deadline October 17 The Art & Law Residency provides an intellectual and artistic setting for participants to engage in ongoing discussions and debates that examine the overlap and disconnect between artistic production and the law from historical, social, ethical and
The Inadequate
The Inadequate is the project that occupies the Spanish pavilion in the Giardini during the Venice Biennale 2011. It consists in an extended performance, made of objects, conversations, monologues, theatre, silences and debate. The protagonists of this multiple, collective performance, spanning
The Inadequate
The Inadequate is the project that occupies the Spanish pavilion in the Giardini during the Venice Biennale 2011. It consists in an extended performance, made of objects, conversations, monologues, theatre, silences and debate. The protagonists of this multiple, collective performance, spanning
The Exhibitionist . Issue 4
This issue of The Exhibitionist diverges a bit from previous issues. Gone is the distinctive, bright yellow cover (an appropriation of, and homage to, Cahiers du cinéma). On the cover, rather than a single image (those in past issues were selected for the
The Exhibitionist . Issue 4
This issue of The Exhibitionist diverges a bit from previous issues. Gone is the distinctive, bright yellow cover (an appropriation of, and homage to, Cahiers du cinéma). On the cover, rather than a single image (those in past issues were selected for the