Art
¿CON QUÉ CARA? open call . Museo de la Solidaridad Salvador Allende
El Museo de la Solidaridad Salvador Allende (MSSA) abre la presente convocatoria de Concurso de proyectos de exposición ¿CON QUÉ CARA? 2012, con el fin de seleccionar 6 exposiciones para su nuevo “Project Room”, garantizando este espacio como un punto
¿CON QUÉ CARA? open call . Museo de la Solidaridad Salvador Allende
El Museo de la Solidaridad Salvador Allende (MSSA) abre la presente convocatoria de Concurso de proyectos de exposición ¿CON QUÉ CARA? 2012, con el fin de seleccionar 6 exposiciones para su nuevo “Project Room”, garantizando este espacio como un punto
Arquivo Banana 2011
© Photo: Haupt & Binder Leandro Nerefuh, Performance, 30′ 17th Video Brasil Festival - SESC - São Paulo, 2011.
Arquivo Banana 2011
© Photo: Haupt & Binder Leandro Nerefuh, Performance, 30′ 17th Video Brasil Festival - SESC - São Paulo, 2011.
Thing/Thought: FLUXUS Editions, 1962–1978
Fluxshop inventory with Dorothea Meijer, seated, in the home of the artist, Amsterdam, winter 1964—65.Photographed by Wim van der Linden. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. Photo: Wim van der Linden/MAI. From the outset of Fluxus during
Thing/Thought: FLUXUS Editions, 1962–1978
Fluxshop inventory with Dorothea Meijer, seated, in the home of the artist, Amsterdam, winter 1964—65.Photographed by Wim van der Linden. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. Photo: Wim van der Linden/MAI. From the outset of Fluxus during
Museum Show
Image above: Collection Belvedere, Vienna, Courtesy Belvedere, Vienna; Gabriele Senn Gallery, Vienna, and the artist.Photograph Copyright: Marko Lulic. One of the most curious tendencies in modern and contemporary art has been that of museums created by artists. Museum Show is a historical
Museum Show
Image above: Collection Belvedere, Vienna, Courtesy Belvedere, Vienna; Gabriele Senn Gallery, Vienna, and the artist.Photograph Copyright: Marko Lulic. One of the most curious tendencies in modern and contemporary art has been that of museums created by artists. Museum Show is a historical
Museum of Museum
Marcel Duchamp, La boîte-en-valise, 1936/1968 MoM desires to establish an inquiry related to the white cube, with its use, challenged by artists and curators, as well as educational thinking about the museum system and how it is approached by viewers uninitiated to contemporary art.
Museum of Museum
Marcel Duchamp, La boîte-en-valise, 1936/1968 MoM desires to establish an inquiry related to the white cube, with its use, challenged by artists and curators, as well as educational thinking about the museum system and how it is approached by viewers uninitiated to contemporary art.
Peace Press Graphics 1967-1987: Art in the Pursuit of Social Change
September 10 – December 11, 2011 The UAM, in collaboration with the Center for the Study of Political Graphics (CSPG), will mount Peace Press Graphics 1967–1987: Art in the Pursuit of Social Change, a survey of the press’ work and their connections to
Peace Press Graphics 1967-1987: Art in the Pursuit of Social Change
September 10 – December 11, 2011 The UAM, in collaboration with the Center for the Study of Political Graphics (CSPG), will mount Peace Press Graphics 1967–1987: Art in the Pursuit of Social Change, a survey of the press’ work and their connections to
Time travels and the (de) construction of contemporary myths
by Lorena Muñoz-Alonso, first published at selfselector. Throughout this itinerary, I would like to navigate through the HAMACA catalogue in search of traces or residues from other times and voices. I am looking to identify the little or great homages that artists make
Time travels and the (de) construction of contemporary myths
by Lorena Muñoz-Alonso, first published at selfselector. Throughout this itinerary, I would like to navigate through the HAMACA catalogue in search of traces or residues from other times and voices. I am looking to identify the little or great homages that artists make
Generous Structures . Casco Issues
The twelfth edition of Casco Issues, ’Generous Structures’, focuses on “playfulness” as a value in critical cultural practice. As a playful inquiry, it positions alternative notions of playing against the grain of neoliberal ideologies of “lifelong learning” and “work as
Generous Structures . Casco Issues
The twelfth edition of Casco Issues, ’Generous Structures’, focuses on “playfulness” as a value in critical cultural practice. As a playful inquiry, it positions alternative notions of playing against the grain of neoliberal ideologies of “lifelong learning” and “work as
VLA Art & Law Residency Program
Deadline October 17 The Art & Law Residency provides an intellectual and artistic setting for participants to engage in ongoing discussions and debates that examine the overlap and disconnect between artistic production and the law from historical, social, ethical and
VLA Art & Law Residency Program
Deadline October 17 The Art & Law Residency provides an intellectual and artistic setting for participants to engage in ongoing discussions and debates that examine the overlap and disconnect between artistic production and the law from historical, social, ethical and
All I Can See is the Management
Image: Darcy Lange Studies of teaching in four Oxfordshire Schools, UK, 1977 – Eric Spencer Art Class Cheney Upper School. All I Can See is the Management is an exhibition and programme of events that looks at how artists address the
All I Can See is the Management
Image: Darcy Lange Studies of teaching in four Oxfordshire Schools, UK, 1977 – Eric Spencer Art Class Cheney Upper School. All I Can See is the Management is an exhibition and programme of events that looks at how artists address the
Bidoun Magazine #25 Launch
The twenty-fifth issue of Bidoun responds to the Egyptian revolution that began on the 25th of January. In April and May, a group of Bidoun editors went to Cairo in order to better understand what happened, and what did not
Bidoun Magazine #25 Launch
The twenty-fifth issue of Bidoun responds to the Egyptian revolution that began on the 25th of January. In April and May, a group of Bidoun editors went to Cairo in order to better understand what happened, and what did not
The Inadequate
The Inadequate is the project that occupies the Spanish pavilion in the Giardini during the Venice Biennale 2011. It consists in an extended performance, made of objects, conversations, monologues, theatre, silences and debate. The protagonists of this multiple, collective performance, spanning
The Inadequate
The Inadequate is the project that occupies the Spanish pavilion in the Giardini during the Venice Biennale 2011. It consists in an extended performance, made of objects, conversations, monologues, theatre, silences and debate. The protagonists of this multiple, collective performance, spanning