Matthew Day Jackson, Axis Mundi (2011). Photo: Peter Mallet / Courtesy the artist and Hauser & Wirth
“One of the most inventive artists of his generation, Matthew Day Jackson explores the relationship between materials, myths, and recent history to create works that grapple with the nature of human experience, both personal and collective. Jackson’s work utilizes an everyday iconography juxtaposed with an unknown archaeology of form to create “brave new worlds” of encounter in his works, whether he is working in sculpture, collage, video or photography.
History is a part of every single action, every single thing that we do. We don’t choose it; it kind of chooses us. We are a product of our environment. I think that it’s a matter of seeing things in the world around me, things I read, a photograph on the Internet, things I see riding my bike down the street. There are these moments where it’s almost like a radar ping. In being who we are, we are constantly sending these signals out to the world, and when you start to get a signal back—that is the thing that’s acknowledging our presence, our vision. And at that moment, that’s the point when you’ve chosen it. We’ve sent the signal out, the signal comes back to us, and at that moment we embody history and as we send these signals out its just showing that we’re aware of doing so.”
—Matthew Day Jackson, “The Brooklyn Rail”, July-August 2011
Born in 1974 in Panorama City, CA, Matthew Day Jackson lives and works in Brooklyn, NY. His work has been included in exhibitions at the Walker Art Center (2011); Princeton University Art Museum (2010); Louisiana Museum of Modern Art, (2010); Hayward Gallery (2009); Vanabbemuseum, Eindhoven, The Netherlands, (2008); the Barbican Gallery, London, UK (2008); Henry Art Gallery, University of Washington, Seattle, WA (2008); Contemporary Arts Museum, Houston, TX (2008); 1st Athens Biennale, Athens, Greece (2007); 2nd Moscow Biennale, Moscow, Russia (2007); 3rd Beijing Biennale, Beijing, China (2007); Herning Kunstmuseum, Denmark, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland (2007); Whitney Biennial, Whitney Museum of American Art, New York, NY (2006); and Greater New York, P.S. 1 Contemporary Art Center, New York, NY (2005).
The Limits of An Object
Matthew Day Jackson
Wednesday, November 16 at 6:30pm
The New School
John Tishman Auditorium
66 West 12th Street
About the Public Art Fund Talks at The New School - Fall 2011 Series
The fall 2011 Public Art Fund Talks at The New School series examines the transformative potential of sculpture and its ability to reach beyond the material presence of an object’s physical form. Inspired by the influence of an earlier conceptual art legacy on contemporary sculptural practice, this series will explore how the limits of an object might be redefined both literally and metaphorically in the public realm.
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